Roy Jacobstein

 

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How to Thrive in the Office Cube

 

Make peace
     with the space
          you’re dealt, be

a beacon
     of equanimity
          and competence,

set out
     the photographs
          of Dad, the dog,

the day
     you sailed
          the blue bay.

With respect
     to your voice, don’t
          lower it

more than two octaves,
     though it will
          behoove you

to call
     your new lover
          from a private phone.

And instead,
     should he
          call you, say

“Mon ange,
     your eyes are
          the glowing coals

in the blast furnace
     that is my heart,”
          you must respond

coolly
     with “Yes,
          Steve, the report

is coming along fine
     and will be available
          for your perusal

by COB today.”
     Such dispassion
          has useful spill-

over: the dry cleaner
     will give you the discount
          even though you forgot

the coupon.
     The mechanic notorious
          for gouging

his customers
     will fear you
          know something

and not overcharge.
     Your landlord will promptly
          repair the heat pump.

And your lover,
     who may
          or may not be

Steve, will take
     your demeanor for
          the deep still ardor

he has been meant
     to unlock all his life,
          beginning with dinner

at the little
     Turkish place
          where he will order

meze and raku
     and ask you
          “Are you always

this cool?”.

 

 

The Unknown Albeit, or While Reading
a Friend’s Prize-Winning Book on Love’s
Vicissitudes He Writes about Words

—for Robert Thomas

 

Rhachis, dumka, grisette, iku, kolache, azagur—
     you’re doing it again, amigo, sending me
          to meaning, avid as ever. So I enter aa

at www.Dictionary.com, find neither
     anti-aircraft nor Associate in Arts, but lava
          having a rough surface, though transmuted

in your hands to something glorious, black-
     faceted, trillion-spined. Rolling, I enter trillion,
          imagining hothouse blooms, forgetting

those 12 zeroes trailing the lonely one.
     Well, who wouldn’t be confused by now,
          being confronted by the unknown albeit

mellifluous mokihana, lovely double spondee
     you’ve wed to Mt. Waialeale, a site looming
          above a leper colony in Tonga or Vanuatu

or Fiji, no doubt, but leading me to desire
     a dish of wahine … or is it haole? Never mind,
          here comes szatmari, your next seductress,

flashing skirts, black boots, scarlet lace,
     some ecstatic dance that sizzles and burns,
          I surmise, for your book’s fiery and on love,

its tang and its char, the one subject I learned
     to shun like it’s the electric prod, I’m the bum
          steer—but even the e-reference is stumped,

though clueless it’s not, proffering
     alternatives, crypto-homonymous kin. Thus
          I’m queried do I intend Satu Mare, and lo!,

only a click away arises a medieval walled city
     in Transylvania, setting for Stoker’s gothic horror
          novel whose vampire lends his name to a bevy

of diminutive tropical plants (genus Draculae)
     having bizarre, sinister-looking purple flowers
          with pendulous scapes and hyper-motile lips—

which sounds a hell of a lot like the love
     I would write about if I wrote about love,
          which is why I don’t, but it’s sure good

to know when I reject Satu Mare
     there’s still stammerer and stud mare
          left for me to consider, and I am.

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“How to Thrive in the Office Cube” and “The Unknown Albeit …” are from Roy Jacobstein’s new book of poetry Fuchsia in Cambodia (Northwestern University Press/TriQuarterly Books, 2008). His two earlier books, A Form of Optimism (University Press of New England, 2006) and Ripe (University of Wisconsin Press, 2002) won the Samuel French Morse Prize and Felix Pollak Prize respectively.